Townhall are thrilled to welcome Aideen Barry's Exhibition:
๐ผ๐ฏ๐น๐ถ๐๐ถ๐ผ๐ป / ๐๐ฒ๐ฎ๐ฐ๐ต๐บ๐ฎ๐น๐น๐๐ฎ๐ฐ๐ต๐ / แแ
แจแชแญแ
แชแแแ
แแฆ -
Running from 4th ๐๐จ๐๐จ๐ฆ๐ง ๐๐ผ ๐ญ๐ฑ๐๐ต ๐ฆ๐๐ฃ๐ง๐๐ ๐๐๐ฅ ๐ฎ๐ฌ๐ฎ๐ฎ
๐ญ๐ฌ:๐ฌ๐ฌ๐ฎ๐บ - ๐ฐ:๐ฌ๐ฌ๐ฝ๐บ ๐ง๐จ๐๐ฆ๐๐๐ฌ ๐๐ผ SATURDAY ๐ผr ๐ฏ๐ ๐ฎ๐ฝ๐ฝ๐ผ๐ถ๐ป๐๐บ๐ฒ๐ป๐.
Admission Free!
Barry’s epic new multi-media work OBLIVION /SEACHMALLTACHT / แแ
แจแชแญแ
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แแฆ was made in collaboration with internationally renowned Inuit Canadian singer and song writer RIIT แแฆ, Irish harpist Aisling Lyons and with costume design by Margaret O’ Connor. Composed by Barry with Cathal Murphy & Stephen Shannon, the music both acts as a type of contemporary electronica anthem, a moody poetic sound score and a bleak gothic anthem crossing the world of music and visual art. In this spectacular installation Barry has responded to multiple sites of research and a commission ,from the Irish Traditional Music Archive and Music Network ,of The Bunting Harp Collection archives.
The installation merges two indigenous musical cultures to create a new sound. It includes Inuit throat singing, Irish harp and electronica beats to make a dark anthem full of gothic tropes, a haunting call to arms asking: What is the role of art and artists at a time of great uncertainty, environmental collapse and the prospect of a world of ruin if we do nothing at all?